Film and Media Studies - Contents of Volume 4, 2011.

• Inside covers in PDF
• Front pages in PDF
  
  
• Joachim Paech
  The Intermediality of Film
  Acta Universitatis Sapientiae, Film and Media Studies, 4 (2011) 7−21     Full text in PDF
  
  
• Ágnes Pethő
  Jean-Luc Godard's Passages from the Photo-Graphic to the Post-Cinematic. Images in between Intermediality and Convergence
  Acta Universitatis Sapientiae, Film and Media Studies, 4 (2011) 23−61     Full text in PDF
  
  
• Krisztián Faluhelyi
  Cinema, DVD, and Video Installation. The Medial Forms of Benedek Fliegauf's Milky Way
  Acta Universitatis Sapientiae, Film and Media Studies, 4 (2011) 63−74     Full text in PDF
  
  
• Gabriella Moise
  "I Hear with my Whole Body" Hajnal Németh's Dislocated Sonorous Bodies
  Acta Universitatis Sapientiae, Film and Media Studies, 4 (2011) 75−88     Full text in PDF
  
  
• Thomas Binder-Reisinger, Uschi Feldges, Hanna Hatzmann, Martin Offenhuber, Ralph Wakolbinger
  Notes on Artistic Research in Urban Spaces: Film, Video and Sound Strategies
  Acta Universitatis Sapientiae, Film and Media Studies, 4 (2011) 89−100     Full text in PDF
  
  
• Marco Grosoli
  The Damnation of the Sight. The Point of View in Three Movies by Béla Tarr
  Acta Universitatis Sapientiae, Film and Media Studies, 4 (2011) 101−113     Full text in PDF
  
  
• Diana Popa
  Probing the Body − Political and Medical (Empty) Authority in the New Romanian Cinema
  Acta Universitatis Sapientiae, Film and Media Studies, 4 (2011) 115−129     Full text in PDF
  
  
• Andrea Virginás
  New Filmic Waves in Hungarian and Romanian Cinema: Allegories or Stories about Flesh?
  Acta Universitatis Sapientiae, Film and Media Studies, 4 (2011) 131−141     Full text in PDF
  
  
• Diána Gollowitzer
  How to Rule a TV Show? Narration in 24
  Acta Universitatis Sapientiae, Film and Media Studies, 4 (2011) 143−156     Full text in PDF